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double label for the State Theatre - hearty criticism also comes from Leipzig

The further below text the new corporate design of the National Theater Dresden will once again demand:

is incomprehensible to me that today, even institutions, the stage with images, with colors and light, so even operated as a performing art, visual communication, seemingly lost any expertise have them as soon as wordy a "new", said promotional design is presented.
The "consumers" of such creations are unreasonable burdens to decrypt such a nature expected of visual messages, although the expert, but not the bold, fresh, "hip" stylists make your hair stand on end. I put it simply set aside such labels, or just click away That'll probably be the meaning is not - where they come from really, the desire to destroy established structures and foundations

PS.?. particularly "successful" is on the Internet, on which the actors are presented. Most balancing a yellow board on the Head. ("I had just containing no other photo, but enough yellow bar "...).

(Jochen Fiedler, graphic designers, Leipzig)

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double label for the Dresden State Theatre - an eye cancer guarantee for all

The further below text the new corporate design of the National Theater Dresden will continue to do so:

When I was at the beginning of the booklet "2009/2010 season" with the new actors in their hands held, I had not think much of it. In some places a bit strange, but it was bearable. This month, but then I got the October game plan on paper between the fingers and I guess the disbelief was clearly written to me in the face. The question of whether there are such things as bodily injury for paper became pressing.

Even with a well-intentioned, big dose of "artistic freedom" can not excuse this messy and dissuasive performance. You would think, font, color and layout hate each other. The bird is then fired again to the website where the viewer with bright-yellow and white eyes are verblitzt.

An eye cancer warranty for all who look on it! It will only go in spite and not because of this scene to the theater - provided you could advance force to figure out when each piece listed is.

your criticism is certainly very appropriate, especially like the comparison with the band on the last meters of a sales receipt it a lot. Somehow, one hopes so, but that the role is still exchanged.

(Cornelia Remmick, System Consultant)

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The graphic artist Jürgen Haufe had on 15 October 2009 its 60th Birthday celebrated


Jürgen Haufe 1998th (Photo: MB)

On 15 October 2009 would be the Dresden artist Jürgen Haufe become sixty years old. Crowd was one of the most potent artistic and creative graphic designer, graphic designer and poster designers of the GDR, and later in Germany and far beyond.
drew international Haufe poster work and have been shown in the graphic world's metropolises, such as in Warsaw, Brno, Ljubljana, Berlin, Toyama, Ogaki, Tokyo, Osaka (all Japan), Lahti and Helsinki (Finland). Posters of him are in collections and galleries in Berlin, Essen, Lahti, Toyama, Warsaw, Zurich, Hamburg, Brno, Cottbus and of course in the State Art Collections in Dresden.

In Dresden, however, is Jürgen Haufe especially for his posters and graphic equipment, including the program brochure design for premieres in Dresden State Theatre and the Dresden State Operetta, for the film nights on the banks of the Elbe and the Striezelmarkt known, but also for its free graphics, collages and paintings, performance documentation and photographs.

After the death on 12 Jürgen Haufe September 1999 wrote Heike Müller-Merten "DRAMA" No. 2, 1999/2000 Jürgen Haufe and the Working Group Theater Poster:
"An association of artists such a format that seemed inspiring whether their selfless purpose and infectious curiosity about the other medium Theater , today seeks to none, and probably was only in a particular time and personnel constellation possible ... Haufe had the awareness, the extravagant imagination and ambition of an artist - without ever view the partnership for his counterpart, losing his neighbor. Because he accepted other arts and artists, and loved, he scored his wonderful posters. He designed snappy comic or factual program book title. How much effort in detail, how much fun the common search for ideas, the bold collages, the associative leaves. He always paid tribute to the directors, their artistic beliefs. Years of fruitful cooperation. "

Many of his works show that he is the free, contemporary jazz feel particularly connected. At that Jazz Club tonne Dresden Jürgen Haufe had a special relationship: Many of his works were based on sketches he - usually in the front row sitting - had made to concerts in the "bin". The club also from today's Jazz Club Neue Tonne Dresden used word-picture mark with the trumpet is from Jürgen Haufe, and was by him over several times revised design.
also come from this artist many posters of the then "bin"-association, especially for the former Festival of the "ton" for the "Dresdner Jazz Autumn".

Jürgen Haufe died a few days before his 50th Birthday on 12 September 1999.


Jürgen Haufe created the cover for the Joe-axis CD, "Ballad for Jimi Metag "(1999, Born & Bellmann).

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Long trips

available in the coming days on 2 long trips. Once the Zillertal and back and back 2 days later almost to Austria. After that, probably as 13000 km cheer face speedometer. I'll again try to save on fuel. Let's see what comes out of it. looking forward

Because of the now-turning dark season I every evening on the Bi-Xenon lights. The H7 flashlights I would prefer to never have again. Can I recommend to anyone.

Otherwise everything is great with the car. No defects, no rattling, all the best!

soon,

Axek