relief in Dresden. At least in the Dresden theater. The era Holk Freytag is past. It was years before my high expectations at the beginning of the era Freytag, who had also grew up in Moers finally proved with his inclinations to the contemporary jazz a sense of wide horizons.
With the end of Freytag hopefully boredom and superficial entertainment value on the stage and the overall concepts Dresdner in terms of small house (now more of a general store) to an end.
germinates Given the current game plan under the new director, Wilfried Schulz just renewed hope for - my intention to withdraw from the theater right, I have therefore not yet implemented. makes
worry me but now with the Dresden State Theatre a bad habit, which seems - I remember at the unspeakable current visual appearance of the Music Festival - with the trend grows: director seems to consider "their" institution, which they derive so temporary artistic should, as their personal property and each for their reign to develop a new corporate design from scratch with a new logo, new corporate colors and fonts new house. And then this - what the heck, it's not even your own money - grottenschlecht.
Grottenschlecht - why? The new CD by the National Theater Dresden does not work: white to light yellow with small font and line spacing make the content difficult to read. When it is sunny, the design elements on the credits at the Great House are difficult to distinguish from each other. The yellow-white document stored fields in the Internet are like a patchwork, together they form sometimes - for example in the press - the appearance of a Cross. Restlessness, look again - what the really mean?
is given by: Flash, vibrant colors are the colors of the psychological perception of losers, those who really want to "screaming" means to draw attention to themselves or must. That also yellow in Dresden associated for decades to connect to the SG Dynamo Dresden, or at least to the public transport operators should be clear to all those who work here. Why the reckless, caring for irritation and ill-functioning visual design of the new "face" of the State play?
But the funniest thing to come: Have you ever been standing at a cash register receipt and and the role a the latter stages get one that is marked by a colored double stripes? The cashier knows in this case that the role is coming to an end and that they must lodge a new ...
My God, what communication designers do some money ... From whom they get it, is clear.
Mathias Bäumel
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